Beit Jammal Sopranos

Love and Prejudice

The English are known for their exquisite, understated sense of humor. This has not changed much since the 17th century. It is really no wonder, then, that even such a grave matter as love would receive a humorous, satirical treatment by the poets and composers of the English baroque.

In this program, the Nari ensemble invites the audience on a musical jourey through the imagined Land of Lovers, where one may be wise to take love just a bit less seriously. We will weave our way through English love stories from the early 18th century, joining cantatas and songs with original declaimed texts to link it all together. The anguish of one-sided love, the thrill of experiencing lust for the first time, and the endless pleasure of falling in love, all become subjects for a good laugh as we wind our way through this program.

Program

J. C. Pepusch (1667 - 1752)
Adagio-Presto from recorder sonata op. 1, no. 5
W. Boyce (1711 - 1779)
Castalio's Complaint
J. C. Pepusch
Allegro from recorder sonata op. 1, no. 5
Love frowns in Beauteous Myra's eyes
W. Boyce
Fair Sylvia
J. C. Pepusch
Adagio & Allegro from recorder sonata op. 1, no. 5
H. Purcell (1659 - 1695)
Nymphs and Shepherds come away from the Libertine
G. F. Handel (1785 - 1659)
Hush, ye pretty warbling quire from Acis and Galatea, HWV 49
H. Purcell
Two in one upon a Ground from Dioclesian, Z. 627
W. Boyce
The Distracted Lover
G. F. Handel
Andante & Allegro from violin sonata, HWV 368
H. Carey (1687 - 1743)
The Artful Shepherdess